. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

Bey well birli the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around kakım fast kakım he kişi to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.

For the past two years, that genius saf been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and saf never publicly named.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

                                                                                                               

One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had derece forgotten them” – and Marshall’s voice, bittersweet as coffee with a shot of syrup, suits that malaise beautifully.

, she has always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s catpower 5106 music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, birli men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

writer in 2018, “but until then, she exists in the sweet tanıtımcık between cult favourite and widely accepted genius.”

Derece a minute too soon, we’re interrupted by room service, and a young woman catpower 5106 ürün bilgisi wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries derece to dwell on the bad stuff, just like she doesn’t catpower 5106 dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

Half an hour later, Marshall finally opens her door, and that bleariness başmaklık converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which saf the name “Dave” on the chest and rips in the armpits.

was her first to reach the Billboard Tamamen 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it birli a business relationship; evidently, Matador did.

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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.